Nora Verde (Antonela Marušić), born 1974 in Dubrovnik, studied Croatian Language and Literature. As a student she published her first poetry collection Sezona Bjegova (1994). She publishes poetry in several magazines and she is the author of the novels Posudi mi smajl (2010) and Do isteka zaliha (2013). Her prose and poetry have been translated into English, German, Slovene, Albanian and Macedonian.
She is one of the founders of the feminist portal Vox Feminae to which she contributes and for which she been an editor since 2011. She collaborates with several Croatian national and regional portals and media on independent culture, literature, music and human rights (Novosti, Kulturpunkt, Proletter, Maz, CroL, LGBT.ba).
Renato Baretić, born 1963 in Zagreb, is a Croatian writer. He used to work as a journalist for newspapers and magazines such as Večernji list, Nedjeljna Dalmacija, Slobodna Dalmacija, Feral Tribune, Globus, Nacional, Autograf, Tportal, Otvoreno more. He also used to compile quiz questions for the TV quiz shows Kviskoteka and Tko želi biti milijunaš. He was involved in the screenwriting for the television series Nova doba and Crnobijeli svijet 2 and the 2005 comedy-drama film Što je muškarac bez brkova. He also lectured at the House for Creative Writing in Split and the Center for Creative Writing in Zagreb. From 2007 to 2016 he was creative director and program editor of the Pričigin Storytelling Festival in Split.
His poems, short stories and excerpts of novels have been translated and published in English, Slovene, German, Macedonian, Italian, Ukrainian and Polish.
The Body That Has To Be Lived In follows the internal struggles of Brigitte, a sixty-year-old judge at the very end of her career who is suddenly assigned the only challenging and complex trial she has ever undertaken in her working life — a criminal case concerning the rape and murder of a young woman. Before this final case, Brigitte has only ever judged minor cases of divorce and petty theft – a kind of cheap theatre. But now she becomes abruptly aware of the marginal role she has played in the world – and of the opportunity this murder trial offers. The case opens the key for Brigitte’s path of self-realization as she finally assumes the power given to her as a judge – the power of arbitration. The novel follows Brigitte’s internal test of character in parallel with the development of the trial of the young man accused of killing his girlfriend. This internal journey is initiated by her confronting the lawbreaker — confronting the body of the accused, over which society and the law, embodied in herself, will execute its punishment.
Nora Nadjarian is an award-winning Cypriot poet and writer. She has won prizes and commendations in international competitions, including the Commonwealth Short Story Competition, the Féile Filíochta International Poetry Competition and the Seán Ó Faoláin Short Story Prize. She has been widely anthologised and translated into several languages. Her work concentrates on the themes of women, refugees, identity, exile, love and loss, as well as the political situation in Cyprus. Her poems deal with everyday episodes which go beyond reality in their atmospheric concentration, pointing to symbolic interior worlds.
Best known in Cyprus for her book of short stories Ledra Street (2006), she has had poetry and short fiction published internationally. Her work was included in A River of Stories, an anthology of tales and poems from across the Commonwealth, Best European Fiction 2011 (Dalkey Archive Press), Being Human (Bloodaxe Books, 2011) and Capitals (Bloomsbury, 2017). Her latest books are the collections of short stories Selfie (Roman Books, 2017) and Girl, Wolf, Bones (bilingual English-German edition) (2017). The author Anjali Joseph has said of her work: ‘Nora Nadjarian’s distilled short stories are abrupt and intense, as invigorating and aromatic as a double shot of literary espresso.’
Jasna Dimitrijević, born 1979 in Negotin, graduated from the Department of Comparative Literature and Literary Theory at the University of Belgrade. She writes short stories, poetry and reviews. She is a regular contributor to the magazine Liceulice. She is the co-organizer of the first regional short story competition ‘Biber’ on the topic of reconciliation, and the co-editor of the resulting multilingual collection. She published her first collection of stories Prepoznavanja (Recognitions) in 2015. Her second collection of short stories Fibonačijev niz was published in 2019. She lives in Belgrade and works in a bookstore.
Lana Bastašić, born 1986 in Zagreb, is a Bosnian writer. She studied English Language and Literature and holds an MA degree in Cultural Studies. She has published two collections of short stories, a book of children’s stories, and a collection of poetry. Catch the Rabbit, her first novel, was published in 2018 in Belgrade and was shortlisted for the NIN Award. Her short stories have been included in major anthologies throughout former Yugoslavia. She won the Best Short Story Award at the Zija Dizdarević Literary Competition in Fojnica, Bosnia; the Jury Award at the ‘Carver: Where I’m Calling From’ short story festival in Podgorica, Montenegro; the Best Short Story Award at the ‘Ulaznica’ festival in Zrenjanin, Serbia; Best Play by a Bosnian Playwright Award at the competition organized by Kamerni Teatar 55 in Sarajevo, the first award for best unpublished poetry collection in Zrenjanin, and the Targa UNESCO Prize for poetry at the Castello di Duino festival in Trieste, Italy. In 2016 she co-founded Escola Bloom with Borja Bagunyà and co-edits the school’s literary magazine Carn de cap. She lives and works in Barcelona.